|
526 |
Winter Mood |
Warm in mackinaw and boots I read |
America |
1966 |
winter, poetry |
|
Shaken by Leaf-Fall 21, Snake in the Strawberries 76., Shaken by Leaf-Fall 21, Snake in the Strawberries 76. |
|
|
527 |
Claim for Damages |
"The man recovered from the bite, |
Focus |
1984 |
frustration, law |
|
|
|
|
528 |
Metamorphosis |
I starved for the honey you |
Wormwood Review |
1966 |
nature, insects |
|
A Single Focus 17. |
|
|
529 |
Hard Way to Learn |
A trickle of water from |
Poetry |
1979 |
farming, knowledge |
|
|
|
|
530 |
Surprise [1] |
You seemed brave but lost in the ambush of clover, |
The Humanist |
1957 |
love, betrayal |
|
Limited View 22, Landmark and Other Poems 23. |
|
|
531 |
Evening |
Be quiet, Heart, the sun goes down |
Country Men |
1938 |
sunset, peacefulness |
|
Country Men (1938) 62, (1943) 70, Man and His Field 71. |
|
|
532 |
The Isle of the Setting Sun |
Sailorman, Sailorman, by the dark water, |
Heacock's |
1924 |
beauty, longing |
|
|
|
|
533 |
Better a Bonfire |
Hitch up the mule, |
A Country Man |
1993 |
memory, secrecy |
|
A Country Man 29. |
|
|
534 |
Consider a Poem |
If I speak to explain myself |
Stone Country |
1980 |
poetry, communication |
|
|
|
|
535 |
Winter Field |
Whether or not the man who turned |
Purple Pen |
1937 |
death, winter |
|
Country Men (1937) xviii, (1938) 39, (1943) 46, Man and His Field 68, Snake in the Strawberries 15. |
|
|
536 |
A Field You Cannot Own |
You thought there was a For Sale sign |
Wormwood Review |
1972 |
love, rejection |
|
|
|
|
537 |
A Testament |
The ant down there, dragging his leg, |
America |
1973 |
perseverance, insects |
|
Snake in the Strawberries 58. |
|
|
538 |
Mexico (San Miguel de Allende) |
Fresh from the slow hills of Iowa |
Ladies Home Journal |
1962 |
welcoming, Mexico |
|
Limited View 12. |
|
|
539 |
Let it Come Down |
Glad that at last the litter and waster of winter, |
|
|
|
|
|
|
|
540 |
The Provincial |
The Frenchman asked, |
A Country Man |
1993 |
home, travel |
|
A Country Man 54. |
|
|
541 |
Claim of Two Countries |
My native land finds its map |
New Frontiers |
1964 |
nature, farming |
|
A Single Focus 52, Landmark and Other Poems 18. |
|
|
542 |
How Good is Good Enough |
He must have read whatever signs |
Poetry Now |
1981 |
homelessness, distinctions |
|
|
|
|
543 |
The Body Of One |
Glad that at last the litter and waste of winter, |
Midland |
1931 |
spring, rain |
|
Country Men (1937) xxviii, (1938) 50, (1943) 57. Landmark and Other Poems 37 (as "Let It Come Down") |
|
|
544 |
The Dainty Lily Bell |
She’s liberated, you know, |
Planting Red Geraniums: Discovered Poems of James Hearst |
2017 |
sex, gender |
|
Planting Red Geraniums 24 |
|
|
545 |
The Captain Ashore |
I know a man whose twisted wife |
New York Herald Tribune |
1964 |
greed, respect |
|
|
|
|
546 |
Weed Solitude |
Machines worn out, embalmed in rust, |
Kansas City Magazine |
1960 |
machines, decay |
|
Limited View 8, Landmark and Other Poems 44. |
|
|
547 |
Keep the Storm Outside |
Rain patters on my roof |
Shaken by Leaf-Fall |
1976 |
weather, reflection |
|
Shaken by Leaf-Fall 33, Landmark and Other Poems 34. |
|
|
548 |
Year after Year |
By ones, twos and in groups |
A Country Man |
1993 |
routine, childhood |
|
A Country Man 16. |
|
|
549 |
Winter Morning |
I enter a winter morning |
Contact |
1981 |
isolation, winter |
|
|
|
|
550 |
Routine |
The boy drowning under waves |
Aspen Times |
1972 |
routine, frustration |
|
Snake in the Strawberries 10. |
|
