526 |
To a Loquacious Friend |
Either you bleat like a moth-eaten |
Iowa State Liquor Store |
1970 |
language, nature |
|
|
|
527 |
Where Did They Go? |
Where did they go, the maple grove, |
A Country Man |
1993 |
time, memory |
|
A Country Man 46. |
|
528 |
Survival [1] |
Lightning hit the poplar tree |
Poetry Scope |
1981 |
trees, perseverance |
|
|
|
529 |
The Oracle |
The oracle whose customer I am |
Poetry |
1951 |
uncertainty, foretelling |
|
Snake in the Strawberries 23. |
|
530 |
Spring Weather |
Just when the grass |
Planting Red Geraniums: Discovered Poems of James Hearst |
2017 |
weather, marriage |
|
Planting Red Geraniums 31 |
|
531 |
Cleaning the Barn |
We put it off, not having to prove |
The Small Farm |
1976 |
work, farming |
|
Landmark and Other Poems 40, Snake in the Strawberries 93. |
|
532 |
Claim of Two Countries |
My native land finds its map |
New Frontiers |
1964 |
nature, farming |
|
A Single Focus 52, Landmark and Other Poems 18. |
|
533 |
Each Spring |
When ducks print signs in the mud for the farmer to read, |
Music for Seven Poems |
1958 |
spring, hope |
|
|
|
534 |
The Body Of One |
Glad that at last the litter and waste of winter, |
Midland |
1931 |
spring, rain |
|
Country Men (1937) xxviii, (1938) 50, (1943) 57. Landmark and Other Poems 37 (as "Let It Come Down") |
|
535 |
Not a Birthday but a Deathday Party |
The indigent days beg me |
The Complete Poetry of James Hearst |
2001 |
mortality, wishes |
|
|
|
536 |
Only Flowers Seem Not to Die |
On our May Day anniversary |
Poetry Now |
1982 |
flowers, loss |
|
|
|
537 |
Revelation |
Who ordained the flicker on my |
Christian Science Monitor |
1973 |
morning, birds |
|
Snake in the Strawberries 59. |
|
538 |
Born Each Morning |
What a shocking way to enter the world, |
Colorado Quarterly |
1977 |
morning, birth |
|
Snake in the Strawberries 89. |
|
539 |
Morning Song |
I often think of night as a wave lifting me into the morning |
Poetry |
1940 |
morning, love |
|
Man and His Field 54, Landmark and Other Poems 25. |
|
540 |
Reprieve |
I too have gone |
Onward |
1964 |
misfortune, love |
|
|
|
541 |
Routine |
The boy drowning under waves |
Aspen Times |
1972 |
routine, frustration |
|
Snake in the Strawberries 10. |
|
542 |
Meeting a Pheasant Hunter in Our Grove |
The bush’s shape has been bent by the wind |
American Prefaces |
1940 |
wind, nature |
|
|
|
543 |
There Are Those Who Say This |
I lit the bonfire, |
Chariton Review |
1983 |
fire, destruction |
|
|
|
544 |
Apparition in the Afternoon |
The telephone lies in its incubator. |
|
1979 |
|
|
|
|
545 |
Shortcut |
A shortcut, so we said, a different road, |
Colorado Quarterly |
1965 |
countryside, lost |
|
Shaken by Leaf-Fall 35. |
|
546 |
Two Men |
The stiff man scrubs his hands, |
Poetry Now |
1976 |
duality, conformity |
|
|
|
547 |
Learning |
Sometimes you must break in |
Colorado Quarterly |
1978 |
neighbors, farming |
|
|
|
548 |
The Hurt of Pleasure |
Once a week she comes to share |
A Country Man |
1986 |
gardening, friendship |
|
A Country Man 42. |
|
549 |
Statistics and Waterfalls |
The textbook lies on the |
Black and White |
1979 |
knowledge, imagination |
|
|
|
550 |
Self-Portrait |
The mirror lacks depth, |
Virginia Quarterly Review |
1975 |
reflection, aging |
|
Shaken by Leaf-Fall 53, Snake in the Strawberries 66. |
|