576 |
Fact |
I knew a man once who gave up the ghost |
Man and His Field |
1951 |
life, suicide |
|
Man and His Field 39, Landmark and Other Poems 44. |
|
577 |
Threat of Weather |
We know we can outlast the weather |
Man and His Field |
1951 |
love, weather |
|
Man and His Field 57, Snake in the Strawberries 25. |
|
578 |
The Oracle |
The oracle whose customer I am |
Poetry |
1951 |
uncertainty, foretelling |
|
Snake in the Strawberries 23. |
|
579 |
The Return |
Shot from cannon-barrelled wind the sleet |
Man and His Field |
1951 |
memory, technology |
|
Man and His Field 32, Landmark and Other Poems 51 (as "The Magic Lantern"). |
|
580 |
Fog |
Waves of the sea's ghost |
Man and His Field |
1951 |
weather, defamiliarization |
North American Review 299.2 (Spring 2014) 26. |
Man and His Field 28, Landmark and Other Poems 36. |
|
581 |
All Anyone Could Say |
The children that we love are busy people |
Man and His Field |
1951 |
children, exploration |
|
Man and His Field 58. |
|
582 |
Accident |
The iron teeth of the harrow |
Man and His Field |
1951 |
birds, destruction |
|
Man and His Field 61, Landmark and Other Poems 48, Snake in the Strawberries 24. |
|
583 |
For A Neighbor Woman |
Early this morning |
Man and His Field |
1951 |
death, gardening |
|
Man and His Field 28, Landmark and Other Poems 10. |
|
584 |
No Leaves? No Apples? |
No fruit bends the orchard trees |
Man and His Field |
1951 |
fall, perseverance |
|
Man and His Field 59. |
|
585 |
Analogy |
It's like digging all day at a buried stone |
Man and His Field |
1951 |
poetry, introspection |
|
Man and His Field 60. |
|
586 |
What Was That? |
Never was so much hubbub in the morning, |
Man and His Field |
1951 |
work, farming |
|
Man and His Field 41. |
|
587 |
Construction |
The hammer voices went on an on |
Man and His Field |
1951 |
labor, winter |
|
Man and His Field 62. |
|
588 |
Point of View |
After a dark day low with clouds, |
Man and His Field |
1951 |
sunset, perspective |
|
Man and His Field 43. |
|
589 |
Burn the Cocoons |
The sun waits in the sky for me |
Poetry |
1944 |
farming, planting |
Heartland: Poets of the Midwest 81. |
Man and His Field 47, Landmark and Other Poems 41. |
|
590 |
The Vine |
His wife and young son in his heart, the future riding his shoulders |
The Sun at Noon |
1943 |
farming, nature |
|
The Sun at Noon 14, Man and His Field 39, Snake in the Strawberries 18. |
|
591 |
Logician |
Pete Everson was called four-eyed Pete |
The Sun at Noon |
1943 |
infidelity, strategy |
North American Review (1974) 37. |
The Sun at Noon 27, Landmark and other Poems 16. |
|
592 |
Homesickness |
Marie Summers took a course in Commercial |
The Sun at Noon |
1943 |
cities, alienation |
|
The Sun at Noon 28, Snake in the Strawberries 19. |
|
593 |
The Old Dog |
The old dog waits patiently for death |
The Sun at Noon |
1943 |
death |
North American Review (1974) 23. |
The Sun at Noon 17, Landmark and Other Poems 47. |
|
594 |
Choosing |
The stolid farmer took his hoe |
The Sun at Noon |
1943 |
farming, choice |
|
The Sun at Noon 18, Landmark and Other Poems 50, Man and His Field 33. |
|
595 |
Snake in the Strawberries |
This lovely girl dressed in lambswool thoughts |
The Sun at Noon |
1943 |
disaster, innocence |
University of Kansas Review 11 (Autumn 1944) 45, Midwest 7 (Spring 1964) vi, Heartland: Poets of the Midwest 77, Interpreting Literature. 4th Ed. K. L. Knickerbocker and H. W. Reninger, eds. New York: Holt, Rinehart and Winston, 1969. 268, Interpreting Li |
Man and His Field 64, Shaken by Leaf-fall 72, Snake in the Strawberries 57, The Good Earth 54. |
|
596 |
The Hammer and the Rat |
The teetering carpenter sets his spike |
Country Men |
1943 |
distraction, inaction |
North American Review (1974) 33. |
Country Men (1943) 59. Landmark and Other Poems 14. |
|
597 |
Between Snow and Stars |
The sun trips and falls headlong down the sky |
The Sun at Noon |
1943 |
animals, farming |
Late Harvest 75. |
The Sun at Noon 20, Man and His Field 44, Landmark and Other Poems 42. |
|
598 |
How Many Shadows Has a Man |
The dog looked into the water |
Country Men |
1943 |
experience, knowledge |
|
|
|
599 |
The Other Land |
The strength and persuasion of the long slow turning |
The Sun at Noon |
1943 |
seasons, divinity |
|
The Sun at Noon 22. |
|
600 |
Stolid Farmer to His Son |
Choose your wife for straight legs and an honest tongue. |
The Sun at Noon |
1943 |
wisdom, knowledge |
North American Review (1974) 28. |
|
|