601 |
The Army |
The pavements of the mind |
Country Men |
1943 |
indoctrination, morality |
|
Country Men (1943) 62, Man and His Field 37. |
|
602 |
Spring Barnyard |
Pigeons circle the wet glossy mud |
The Sun at Noon |
1943 |
animals, materiality |
|
The Sun at Noon 37. |
|
603 |
How Many Shadows Has a Man |
The dog looked into the water |
Country Men |
1943 |
experience, knowledge |
|
|
|
604 |
Stranger |
Following his father's footsteps |
The Sun at Noon |
1943 |
retirement, alienation |
|
The Sun at Noon 26, Snake in the Strawberries 21. |
|
605 |
The Vine |
His wife and young son in his heart, the future riding his shoulders |
The Sun at Noon |
1943 |
farming, nature |
|
The Sun at Noon 14, Man and His Field 39, Snake in the Strawberries 18. |
|
606 |
Logician |
Pete Everson was called four-eyed Pete |
The Sun at Noon |
1943 |
infidelity, strategy |
North American Review (1974) 37. |
The Sun at Noon 27, Landmark and other Poems 16. |
|
607 |
Homesickness |
Marie Summers took a course in Commercial |
The Sun at Noon |
1943 |
cities, alienation |
|
The Sun at Noon 28, Snake in the Strawberries 19. |
|
608 |
The Old Dog |
The old dog waits patiently for death |
The Sun at Noon |
1943 |
death |
North American Review (1974) 23. |
The Sun at Noon 17, Landmark and Other Poems 47. |
|
609 |
The Fence Row |
A ripple of ground still show the line where |
Poetry |
1942 |
division, memory |
Mid-Country. Ed. Lowry C. Wimberly. Lincoln: University of Nebraska Press (1945) 467. |
The Sun at Noon 38, Man and His Field 50, Snake in the Strawberries 20. |
|
610 |
After Corn Husking |
The last load ends the day |
University Review |
1942 |
harvest, fall |
|
The Sun at Noon 36, Man and His Field 46. |
|
611 |
Boundary Lines |
The dog has a squirrel up a tree. |
American Prefaces |
1940 |
fear, animals |
|
The Sun at Noon 19, Snake in the Strawberries 21. |
|
612 |
The Same in This As Other Lands |
He bows his head against the wind |
Poetry |
1940 |
farming, work |
|
The Sun at Noon 31, Man and His Field 23, Landmark and Other Poems 58. |
|
613 |
Morning Song |
I often think of night as a wave lifting me into the morning |
Poetry |
1940 |
morning, love |
|
Man and His Field 54, Landmark and Other Poems 25. |
|
614 |
The Sun at Noon |
No country leads so softly to nowhere |
Poetry |
1940 |
mortality, appreciation |
|
The Sun at Noon 9, Man and His Field 20. |
|
615 |
False Warning |
The meadow has lost its features and the grove |
Poetry |
1940 |
wilderness, winter |
|
A Single Focus 21. |
|
616 |
Meeting a Pheasant Hunter in Our Grove |
The bush’s shape has been bent by the wind |
American Prefaces |
1940 |
wind, nature |
|
|
|
617 |
Quarrel |
In the angry silence |
American Prefaces |
1940 |
marriage, anger |
America 27 (Nov. 1965) 671. |
The Sun at Noon 13, Man and His Field 56. |
|
618 |
The Search |
Here on the hillside is a square of ground |
Wallace's Farmer |
1940 |
farming, neighbors |
|
A Single Focus 37, Landmark and Other Poems 46. |
|
619 |
After the Son Died |
The trees follow two sides of a square |
Poetry |
1940 |
death, impermanence |
|
The Sun at Noon 29, Snake in the Strawberries 19. |
|
620 |
On Relief |
Our glances met as glances meet |
Common Sense |
1939 |
Depression, poverty |
|
The Sun at Noon 32, Landmark and Other Poems 8. |
|
621 |
March Mourning |
The late snow is a fungus |
Wallace's Farmer |
1939 |
snow, death |
Man and His Field |
Man and His Field 57. |
|
622 |
Spring West of Town |
A man who lives inside my head |
Kernels |
1939 |
busyness, waiting |
|
|
|
623 |
Silver Maples |
Rain fingers stroke our grey bodies |
Wallace's Farmer |
1939 |
farming, nature |
North American Review |
|
|
624 |
Evening |
Be quiet, Heart, the sun goes down |
Country Men |
1938 |
sunset, peacefulness |
|
Country Men (1938) 62, (1943) 70, Man and His Field 71. |
|
625 |
Dark Flower |
Oh, no, do not look too long |
Country Men |
1938 |
flowers, morning |
|
Country Men (1938) 52. |
|