51 |
Winter Solstice |
This is the final day |
Country Men |
1938 |
love, winter |
|
Country Men (1938) 57. |
|
52 |
The Young Old-Timer |
His hands seek each other under his overall bib |
Wallace's Farmer |
1938 |
farming, resentment |
North American Review (1974) 32. |
The Sun at Noon 12, Landmark and Other Poems 44. |
|
53 |
March Mourning |
The late snow is a fungus |
Wallace's Farmer |
1939 |
snow, death |
Man and His Field |
Man and His Field 57. |
|
54 |
Silver Maples |
Rain fingers stroke our grey bodies |
Wallace's Farmer |
1939 |
farming, nature |
North American Review |
|
|
55 |
Spring West of Town |
A man who lives inside my head |
Kernels |
1939 |
busyness, waiting |
|
|
|
56 |
On Relief |
Our glances met as glances meet |
Common Sense |
1939 |
Depression, poverty |
|
The Sun at Noon 32, Landmark and Other Poems 8. |
|
57 |
Quarrel |
In the angry silence |
American Prefaces |
1940 |
marriage, anger |
America 27 (Nov. 1965) 671. |
The Sun at Noon 13, Man and His Field 56. |
|
58 |
The Search |
Here on the hillside is a square of ground |
Wallace's Farmer |
1940 |
farming, neighbors |
|
A Single Focus 37, Landmark and Other Poems 46. |
|
59 |
After the Son Died |
The trees follow two sides of a square |
Poetry |
1940 |
death, impermanence |
|
The Sun at Noon 29, Snake in the Strawberries 19. |
|
60 |
Meeting a Pheasant Hunter in Our Grove |
The bush’s shape has been bent by the wind |
American Prefaces |
1940 |
wind, nature |
|
|
|
61 |
Morning Song |
I often think of night as a wave lifting me into the morning |
Poetry |
1940 |
morning, love |
|
Man and His Field 54, Landmark and Other Poems 25. |
|
62 |
Boundary Lines |
The dog has a squirrel up a tree. |
American Prefaces |
1940 |
fear, animals |
|
The Sun at Noon 19, Snake in the Strawberries 21. |
|
63 |
The Same in This As Other Lands |
He bows his head against the wind |
Poetry |
1940 |
farming, work |
|
The Sun at Noon 31, Man and His Field 23, Landmark and Other Poems 58. |
|
64 |
The Sun at Noon |
No country leads so softly to nowhere |
Poetry |
1940 |
mortality, appreciation |
|
The Sun at Noon 9, Man and His Field 20. |
|
65 |
False Warning |
The meadow has lost its features and the grove |
Poetry |
1940 |
wilderness, winter |
|
A Single Focus 21. |
|
66 |
The Fence Row |
A ripple of ground still show the line where |
Poetry |
1942 |
division, memory |
Mid-Country. Ed. Lowry C. Wimberly. Lincoln: University of Nebraska Press (1945) 467. |
The Sun at Noon 38, Man and His Field 50, Snake in the Strawberries 20. |
|
67 |
After Corn Husking |
The last load ends the day |
University Review |
1942 |
harvest, fall |
|
The Sun at Noon 36, Man and His Field 46. |
|
68 |
Spring Barnyard |
Pigeons circle the wet glossy mud |
The Sun at Noon |
1943 |
animals, materiality |
|
The Sun at Noon 37. |
|
69 |
Stranger |
Following his father's footsteps |
The Sun at Noon |
1943 |
retirement, alienation |
|
The Sun at Noon 26, Snake in the Strawberries 21. |
|
70 |
The Vine |
His wife and young son in his heart, the future riding his shoulders |
The Sun at Noon |
1943 |
farming, nature |
|
The Sun at Noon 14, Man and His Field 39, Snake in the Strawberries 18. |
|
71 |
Logician |
Pete Everson was called four-eyed Pete |
The Sun at Noon |
1943 |
infidelity, strategy |
North American Review (1974) 37. |
The Sun at Noon 27, Landmark and other Poems 16. |
|
72 |
Homesickness |
Marie Summers took a course in Commercial |
The Sun at Noon |
1943 |
cities, alienation |
|
The Sun at Noon 28, Snake in the Strawberries 19. |
|
73 |
The Hammer and the Rat |
The teetering carpenter sets his spike |
Country Men |
1943 |
distraction, inaction |
North American Review (1974) 33. |
Country Men (1943) 59. Landmark and Other Poems 14. |
|
74 |
The Old Dog |
The old dog waits patiently for death |
The Sun at Noon |
1943 |
death |
North American Review (1974) 23. |
The Sun at Noon 17, Landmark and Other Poems 47. |
|
75 |
Choosing |
The stolid farmer took his hoe |
The Sun at Noon |
1943 |
farming, choice |
|
The Sun at Noon 18, Landmark and Other Poems 50, Man and His Field 33. |
|