|
201 |
The Army |
The pavements of the mind |
Country Men |
1943 |
indoctrination, morality |
|
Country Men (1943) 62, Man and His Field 37. |
|
|
202 |
Mad Dog |
Like a great yellow dog, the sun |
Country Men |
1937 |
drought, nature |
|
Country Men (1937) viii, (1938) 22, (1943) 36, Man and His Field 60, Snake in the Strawberries 14. |
|
|
203 |
The Warning Cry |
The warning cry of wild geese from cold and cloudy roads |
Country Men |
1937 |
spring, renewal |
|
|
|
|
204 |
Evening |
Be quiet, Heart, the sun goes down |
Country Men |
1938 |
sunset, peacefulness |
|
Country Men (1938) 62, (1943) 70, Man and His Field 71. |
|
|
205 |
Sparrows in Spring |
The water falls drip.. drip.. drap |
Country Men |
1937 |
planting, nature |
|
Country Men (1937) xiii, (1938) 33, (1943) 41. |
|
|
206 |
Dark Flower |
Oh, no, do not look too long |
Country Men |
1938 |
flowers, morning |
|
Country Men (1938) 52. |
|
|
207 |
Seventy Times Seven |
Let the rain discover |
Country Men |
1937 |
forgiveness, loneliness |
|
|
|
|
208 |
How Many Shadows Has a Man |
The dog looked into the water |
Country Men |
1943 |
experience, knowledge |
|
|
|
|
209 |
Blue Again |
We saw the horizon with stubborn clutch |
Country Men |
1937 |
weather, clouds |
|
|
|
|
210 |
Winter Solstice |
This is the final day |
Country Men |
1938 |
love, winter |
|
Country Men (1938) 57. |
|
|
211 |
Now I Have Taken to the Fields |
Now I have taken to the fields |
Country Men |
1937 |
hope, land |
|
Country Men (1937) xix, (1938) 40, (1943) 47, Man and His Field 54, Landmark and Other Poems 22. |
|
|
212 |
The Hammer and the Rat |
The teetering carpenter sets his spike |
Country Men |
1943 |
distraction, inaction |
North American Review (1974) 33. |
Country Men (1943) 59. Landmark and Other Poems 14. |
|
|
213 |
The Forest |
Within the forest of my heart |
Country Men |
1937 |
love, reflection |
|
Country Men (1937) xx, (1938) 41, (1943) 48, Man and His Field 55. |
|
|
214 |
Apple Harvest |
The wind knocks on my door |
Bitterroot |
1965 |
fall, mortality |
North American Review (1974) 35. |
A Single Focus 68, Snake in the Strawberries 37. |
|
|
215 |
Judgement by Spring Rain |
Some snarl faced poet |
Yankee Magazine |
1973 |
seasons, aging |
|
Proved by Trial 7, Snake in the Strawberries 94. |
|
|
216 |
Walls |
My terrace wall dropped |
Yankee Magazine |
1982 |
ownership, division |
|
|
|
|
217 |
Each to Its Own Purpose |
They said, don't use words |
Yankee Magazine |
1975 |
poetry, language |
|
Proved by Trial 13, Snake in the Strawberries 94. |
|
|
218 |
End of April |
A grey sky roofs the morning |
Yankee Magazine |
1968 |
weather, color |
|
Snake in the Strawberries 47. |
|
|
219 |
Strange Things Happen |
I found a ball in the yard |
Yankee Magazine |
1984 |
memory, games |
North American Review 299.2 (Spring 2014) 27. |
|
|
|
220 |
Eighty Birthdays |
This cake, a snow-topped hill, |
Yankee Magazine |
1977 |
aging, longing |
|
Snake in the Strawberries 84. |
|
|
221 |
Pause between Clock Ticks |
Like a caught breath |
Yankee Magazine |
1979 |
decisions, stillness |
|
|
|
|
222 |
Sooner or Later |
My roots search for water |
Yankee Magazine |
1980 |
trouble, nature |
|
|
|
|
223 |
Not Born Again |
This land partly from me, |
Yankee Magazine |
1977 |
nature, mortality |
|
Snake in the Strawberries 85. |
|
|
224 |
No Argument |
My gosh, she said, you two |
A Country Man |
1993 |
satisfaction, pride |
|
A Country Man 43. |
|
|
225 |
While Meadowlarks Sang |
It began with the first eggs |
A Country Man |
1993 |
lessons, work |
|
A Country Man 30. |
|
